Attendee

“The transfiguration of music from something only audible into something potentially visible, implies a possibility to make up for the blurred universal senses in contemporary music with the sense of sight. If the universal senses are supplemented, they might naturally improve their legibility. This is not the only reason why music’s visibility is intriguing to me; its visibility may work as the overarching source for studying the common language of the three fields of music, dance, and visual art and to usher sound, movement, and image into a primal state in which music, dance, and visual art are one and the same. When time encounters the body, it generates movement and space and leaves behind images and sound. Music, dance, and visual art employing time as their material can be closely bound up to a point where fundamental questions concerning these elements are raised.”