Dec 2022

Second revised edition of Thomas – book of doubts around contemporary art – has been published.

Dec 2022

Fantasia, the second book in the Music Scores series, has been released.

Nov 2022

Since all copies sold out within a few weeks, Workroom Specter kindly publishes second printing of Post-Texture.

Oct 2022

Prélude Non Mesuré, the first volume in the new series Music Scores – publications investigating the origins of the “sound mass” phenomena – has been released.

Sep 2022

Post-Texture, my new book of writings on the non-hierarchical language, has been published.

(Audience &) Performers

time-based installation


exploration on the form of real-time performance score
1 channel projection, stereo audio
31 min 33 sec
to be presented together with Audience

Writing Excerpt

Audience and Performers observes two individual performances whose cause and effect are intertwined. The preliminary score of Audience gave rise to the score of Performers. Performing Performers works as a practical score for Audience. There are five characters in Audience, who look like an audience, but who are, in fact, performers rehearsing through a reading and learning of Performers, as if it is their score. Although I said just now that they are not an audience, they are, in fact, an audience of Performers. On the other hand, there are five other counterpart characters in Performers (a dancer, a video installation on a stage, sound, a choreographer, and a camera person) who are positioned inside (the dancer, the video installation, and the sound) and outside (the choreographer and the camera person) of the stage; and who are either part of the finished outcome (the dancer, the video installation, and the sound) or part of the process (the choreographer who is still choreographing and the camera person who is recording the performance), coexisting in the same space and time. The camera person in Performers is recording Audience, which is either being rehearsed, or is an observation of Performers.”

    Film Stills
    • performers 01 Min.tif
    • performers 02 kornkarn.tif
    • performers 03 yanghee.tif
    • performers 04 video.tif
    Installation Views
    • KCH3994.jpg
    • 2021

      (screening) Focus On #3 Min Oh
      Total Museum, Seoul, KR

    • 2018

      2018 Title Match: Hyungkoo Lee vs Min Oh
      (SeMA) Buk-Seoul Museum of Art, Seoul, KR

    • 2017

      Moving / Image
      Curated by Haeju Kim. Arko Art Center, Seoul, KR

    • 2017

      Moving Running Turning Shifting
      Sindoh Art Space, Seoul, KR

    • Concept, Direction

      Min Oh

    • Editing

      Min Oh

    • Filming Location

      Doosan Gallery Residency, New York

    • Performance


      Min Oh,
      Yanghee Lee


      Yanghee Lee


      Kornkarn Rungsawang,
      Min Oh,
      Yanghee Lee

    • Photography


      Min Oh


      Min Oh

    • Post-Production


      Min Oh

    • Production

      Production Assistant

      Bonhae Koo

    • Set

      Set Production

      Bonhae Koo,
      Min Oh

    • Sound

      Chosun Hong

    • Style


      Jinsun Choi

    • With the support of Seoul Foundation for Arts and Culture, Seoul, KR; Sindoh, Seoul, KR; Doosan Gallery Residency, New York, US