Sat, Mar 23, 14h

(upcoming) Absentee, Attendee, Invitee, Limestone Books, Maastricht

Feb 2024

Symbiont, openstudio and talk, Amsterdam

Dec 2023

Heterophony of Heterochrony has become a part of the collections of the MMCA (National Museum of Modern and Contemporary Art, Korea).

Nov 2023

Three new books in the Music Scores series – #3 Ritornello, #4 Melody Surplus, and #5 Motif – have been published.

Daughter

time-based installation

2011

Single channel projection, 6 channel audio
4 min 6 sec loop

Video Excerpt
Film Stills
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Installation Views
  • Daughter02.tif
  • Daughter01.tif
Presentations
  • 2021

    (screening) Focus On #3 Min Oh
    Total Museum, Seoul, KR

  • 2020

    Liebes Ding – Object Love
    Museum Morsbroich, Leverkusen, DE

  • 2018

    Object Love
    Museum de Domijnen Hedendaagse Kunst, Sittard, NL

  • 2016

    (screening) La Nuit de l’Instant
    Marseille Expos, Marseille, FR

  • 2016

    Alice’s Adventures in Wonderland – Virtual Reality
    Suwon Museum of Art, Suwon, KR

  • 2016

    Wellknown Unknown
    Curated by Sungwon Kim. Kukje Gallery, Seoul, KR

  • 2012

    WinterSalon
    Museum Van Loon, Amsterdam, NL

  • 2011

    Rijksakademie OPEN 2011
    Rijksakademie van Beeldende Kunsten, Amsterdam, NL

Press
Credits
  • Concept, Direction

    Min Oh

  • Editing

    Min Oh

  • Filming Location

    Rijksakademie van Beeldende Kunsten, Amsterdam

  • Music

    Rhythm passages inspired by
    Steve Reich: Sextet
    (Part 2)

  • Performance

    Lynn Kocken

  • Photography

    Camera

    Min Oh

    Filming Assistant

    Jakub Straka,
    Pyo Ahn,
    Reinilde Jonkhout

    Light Design

    Reinilde Jonkhout

  • Post-Production

    Color

    Min

  • Set

    Set Production

    Min Oh,
    Moonsik Kang

  • Sound

    Sound Design

    Min Oh

    Sound Design Assistant

    Elaine Szeto

    Sound Recording

    Min Oh,
    Elaine Szeto

  • Style

    Costume Design

    Min Oh

    Costume Production

    Junggon Han

  • Thanks to Corine Datema, Gert Jan Kocken, Lewis Kocken

  • With the support of Rijksakademie van Beeldende Kunsten, Amsterdam, NL; Arts Council Korea, KR