Dec 2022 | Second revised edition of Thomas – book of doubts around contemporary art – has been published. |
Dec 2022 | Fantasia, the second book in the Music Scores series, has been released. |
Nov 2022 | Since all copies sold out within a few weeks, Workroom Specter kindly publishes second printing of Post-Texture. |
Oct 2022 | Prélude Non Mesuré, the first volume in the new series Music Scores – publications investigating the origins of the “sound mass” phenomena – has been released. |
Sep 2022 | Post-Texture, my new book of writings on the non-hierarchical language, has been published. |
live performance
2020
foley and performance, a traverse between recorded time language and live time language
approx. 45 min
(screening) Focus On #3 Min Oh
Total Museum, Seoul, KR
412356
Platform-L Contemporary Art Center, Seoul, KR
(Review) Artist Review: Experiment by Min Oh on the Requirement to be Music (KR). Written by Yeasul Shin. Published by Monthly Art, February, Seoul, KR
Concept & Direction
Min Oh
Light
Younwha Kong
Jinyong Park, Jaeyoung Jang
Even Park
Film
Min Oh: 412356 (2020)
Performance
Min Oh
in collaboration with
Chosun Hong,
Hojeong Kang,
Seokmin Mun,
Woosup Sim,
Yeonwoo Na
Chosun Hong,
Hojeong Kang,
Woosup Sim,
Yeonwoo Na
Performance Documentation
Euirock Lee,
Joohyuk Lee
sugarsaltpepper
Min Oh
Chosun Hong
JU14
Production
Suzy Park
Sound
Chosun Hong
JU14
(Taesoon Jang,
Suin Kim,
Taehun Kwon)
Stage
Sinsil Lee
Min Oh,
Sinsil Lee,
Suzy Park,
Woosup Sim
Hyejin Hong,
Woosup Sim
Technical Equipment Support
Multitech, Seoul
Schokobaum, Seoul
With the support of the Ministry of Culture, Sports and Tourism; Seoul Metropolitan Government; Seoul Foundation for Arts and Culture, Seoul, KR; Platform-L Contemporary Art Center, Seoul, KR