Dec 2022 | Second revised edition of Thomas – book of doubts around contemporary art – has been published. |
Dec 2022 | Fantasia, the second book in the Music Scores series, has been released. |
Nov 2022 | Since all copies sold out within a few weeks, Workroom Specter kindly publishes second printing of Post-Texture. |
Oct 2022 | Prélude Non Mesuré, the first volume in the new series Music Scores – publications investigating the origins of the “sound mass” phenomena – has been released. |
Sep 2022 | Post-Texture, my new book of writings on the non-hierarchical language, has been published. |
time-based installation
2015
3 channel projection, 6 channel audio
9 min 28 sec
2018 Title Match: Hyungkoo Lee vs Min Oh
(SeMA) Buk-Seoul Museum of Art, Seoul, KR
Trio
Daelim Museum, D Project Space. Seoul, KR
Round Table 1
Artist talk with Chungwoo Lee a.k.a. Geun-jun Lim (art critic)
Exhibition-related program of Trio
D Project Space, Seoul, KR
Round Table 2
Artist talk on sound art with Chosun Hong (sound artist)
Exhibition-related program of Trio
D Project Space, Seoul, KR
Round Table 3
Artist talk on musical scores with Youngwoo Lee (pianist)
Exhibition-related program of Trio
D Project Space, Seoul, KR
(Exhibition Publication) Towards the Perfection of the Unrehearsable, and Towards the Rehearsal of the Imperfectible (EN). Written by Haejin Pahng. Published in 2018 Title Match: Hyungkoo Lee vs Min Oh by (SeMA) Seoul Museum of Art, Seoul, KR
(Text Interview) A / B Min Oh and Haejin Pahng in Conversation (EN). O-K-U-L-O (journal of cinema and the moving image) No.3. Published by Mediabus, Seoul, KR
Concept, direction
Min Oh
Editing
Min Oh
Filming Location
Minha Yang studio, Paju;
Mirko Lazović studio, Amsterdam
Martial Arts Advice
Alexander Son
Music
Frédéric Chopin
Piano Sonata No.2, Op. 35
Min Oh
Min Oh
Grand 1st
Performance
Min Oh
Youngwoo Lee
Shinae An
Elodie Mollet
Choregraphy based on
Soo Bahk Do, Chilsung 3 Ro
Photography
Min Oh
Reinilde Jonkhout,
Sol Lee
Reinilde Jonkhout,
Min Oh,
Chosun Hong
Sound
Chosun Hong
Chosun Hong
with the support of
Audio-Technica Europe,
Sound & Music Korea (Lewitt Microphones)
Thanks to Christian Bethin-Kittel
(Audio-Technica Europe),
Jaemin Lee,
Jong-kwan Kim,
Joohyouk Yi,
and Seungyeon Chung
With the support of Daelim Museum, Seoul, KR