Dec 2022 | Second revised edition of Thomas – book of doubts around contemporary art – has been published. |
Dec 2022 | Fantasia, the second book in the Music Scores series, has been released. |
Nov 2022 | Since all copies sold out within a few weeks, Workroom Specter kindly publishes second printing of Post-Texture. |
Oct 2022 | Prélude Non Mesuré, the first volume in the new series Music Scores – publications investigating the origins of the “sound mass” phenomena – has been released. |
Sep 2022 | Post-Texture, my new book of writings on the non-hierarchical language, has been published. |
live performance
2019
exploring on the notion of ‘technical actions as dance’, through a choreography of shifting the installations of Attendee
approx. 60 min
“Musicians’ bodies have been a means through which to manifest sound. Meanwhile, dancers’ bodies have been the main subject in themselves and material in the dance tradition. I’m curious as to whether it’s possible to make a dance in which the dancers’ bodies operate similarly to musicians’ bodies.”
(screening) Focus On #3 Min Oh
Total Museum, Seoul, KR
Invitee, Attendee, Absentee
Platform-L Contemporary Art Center, Seoul, KR
Invitee
Platform-L Contemporary Art Center, Seoul, KR
(Review) Focus: Towards the Time Unknown (KR). Written by Wonwha Yoon (critic). Published by Art in Culture, February, Seoul, KR
Concept, Direction
Min Oh
Film
Min Oh: Attendee (2019)
Light
Younwha Kong
Hyun Kim
Performance
Hyeongjun Cho
Woosup Sim,
Sinsil Lee,
Hyeongjun Cho,
Dasom Hwang
Performance Documentation
Euirock Lee
57studio
Min Oh
Chosun Hong
JU14
Poster & Publication
Production
Soyoung Lee
Sound
Chosun Hong
JU14 (Taesoon Jang, Suin Kim)
Stage
Min Oh
Sinsil Lee
ONSTAGE
Sinsil Lee,
Woosup Sim
Technical Equipment Support
Multitech
With the support of Ministry of Culture, Sports and Tourism, Seoul Metropolitan Government, Seoul Foundation for Arts and Culture, Seoul, KR; Platform-L Contemporary Art Center, Seoul, KR; d/p, Seoul, KR